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lunes, 23 de marzo de 2020

Interview with The Mountain King


If you want to read the Spanish version, go here.
Si quieren leer la versión en español, vayan para acá.

Thank you for the opportunity to do this, guys. I know the situation right now is not the best. How are you guys coping with the coronavirus situation?
We talk a lot on the phone and Eric is in his studio and just keeps on writing new songs. We have a few releases planned but time has never been an issue. When it's done it's done and we release it. So in a way, we were already sociopaths before the virus. Sure, we are unable to rehearse now, but we need to practice after that anyway with the new material. So basically, we're aware and keep the hygiene as high as possible, but we don't panic.

For people that perhaps don’t know you, what is The Mountain King as a band?
The Mountain King our way to cope with not being able to combine different music styles in other bands. We call it our "project" because "band" won't really fit in a traditional sense of meeting to rehearse, writing new material together and touring.

All releases differ in style from ambience, lofi trip hop or minimal music, Stoner Rock to Drone Doom.

From release to release, different people were contacted or contacted us to record or help or contribute with their skills to enhance the sound of each album.

We changed that in 2019 when we decided to hit the stage as a 2 man combo with alle the doom songs. And that's also the goal for this year, plague or not, we want to play the stuff live for people.

How you guys got together?
We know each other for about 10 years now and had different bands at that time but eventually decided to get together for more live experience as friends that can trust each other.


What were the bands that influenced your sound and even your image?
What is our image? I strongly believe, that its important to do as we feel. So there are many different looks and styles and thoughts that we keep flowing into the "image". Those things will help to evolve and reshape and renew the project nearly every year.

I know, people often want "their" band, a group of people that finds their sound or style and keeps playing it until they die even if they themselves don't identificate with what they started anymore.
We don't get to do that. It's just not our way.

The way I see it is the artist who has to choose because the fan doesn't even know what he wants. It's not arrogant or anything bad. It is fact that you get the crowd that you deserve and when you're a metal band writing about beer and killing, you'll end up being electrocuted on stage by a spilled pint in your extension cable. We believe that we have a responsibility, not for the beverage that people prefer, but the way they see music. And for us it is not just a thing you consume, like noodles and toilet paper at the moment, but an essential companion to everyone's life. It people can identify with our music, then they are open minded and interested in creative processes that build an album and they know that won't be a release, that copied the last just because of numbers.

We want to feel unique with every song and transcend through our music disregarding a common sense of "how to do music".

How do you think your sound has evolved throughout the years?
I hope one hears that it even has. Since we're mainly producing ourselves, we try to make the sound better every time we release something. But it has to fit the ghost of each song. We don't want to release a stoner rock song that sounds like a minimal techno mix.

Have you felt that now you have a defined style? That now you have an identity as a band?
I can only see what is inside the project. It's the best thing, really, to create and to share one's love for music with interesting and interested people.

I don't know what it looks from the outside but I hope we're able to make people see and feel how we feel about it.


What do you think is the album the represents the band the most?
Each and every song. We don't see bad or good songs, there's no scoring system. Please, this is a shout out to all listeners, every album, every song transports the emotions of the project. They all fit, but one is not always in the mood for everything. It's not pop music that tries to fit your shopping trip.

Which doesn't indicate that you can't go shopping to our songs. Definitely should.

What are your thoughts in the music industry these days?
It's a big tree of shitting birds. At the lowest branch, bands sit and eat the shit of all the other birds above.

We don't tweet a lot.

What are the challenges that a musician faces on a regular basis that you guys feel are not mentioned enough?
Reaching people is a tough one, not because of quality. Mostly because of lacking connections. If people really want to support the bands they love, they should check out their bandcamp and buy merch, merch, merch. Every cent counts and most bands love to give away their stuff for free but it's also that those bands invest time and money into their favorite hobby. Streaming alone won't save your favorite band from starving.

What advice would you give to new bands starting out?
Doesn't matter how slow you go, just keep on going.

What was your most challenging album to make?
So far it will be "The Smell Of Stars and Vomit". It's one long song in album length and I started it in late 2016. This is the current mammoth of our albums.
But the next release in June WICKED ZEN was also a tough one concerning the sound build.


Do you have an interesting anecdote of the band so far?
Yeah we were on tour in Russia and ended up selling weed to astronauts. It's a long story but you can find it on our Tumblr page.

What do you guys think is the secret to understand each other as a band?
Just being friends, not a band. There are temptations seeing it as "success" now and then, but no, it's just the wording. Love and understanding will do more to the internal quality than any psychotherapist ever could.

What plans do you have for the near future?
4 new releases are planned and hopefully many concerts, if the virus situation stays, we'll do streaming.

Thank you for taking the time to do this, guys. Any last message for our readers? Where can we follow you on social media and buy your music?
To all who believe in us and love to hear something new and a project taking chances every time, staying open minded in times of closing minds, Thank You, you keep us alive.

To all who are in search for new music and want to connect with us, might want to start here:


Thank you so much for your support in the past, present and future (if you believe in time).

Entrevista de The Mountain King

If you want to read the English version, go here.
Si quieren leer la versión en ingles, vayan para acá.

Gracias por la oportunidad de hacer esto, muchachos. Sé que la situación en este momento no es la mejor. ¿Cómo están lidiando con la situación del coronavirus?
Hablamos mucho por teléfono y Eric está en su estudio y sigue escribiendo nuevas canciones. Tenemos planeados algunos lanzamientos, pero el tiempo nunca ha sido un problema. Cuando esté hecho, está hecho y lo lanzamos. Entonces, en cierto modo, ya éramos unos sociópatas cuando no había virus. Claro, no podemos ensayar ahora, pero de todos necesitamos practicar después de eso con el material nuevo. Básicamente, somos conscientes y mantenemos la higiene lo más alta posible, pero no nos asustamos.

Para las personas que quizás no te conocen, ¿qué es The Mountain King como banda?
The Mountain King fue nuestra manera de hacer frente a la imposibilidad de combinar diferentes estilos musicales en otras bandas. Lo llamamos nuestro “proyecto” porque “banda” realmente no encaja en un sentido tradicional de reunión para ensayar, escribir juntos material nuevo y hacer giras.
Todos los lanzamientos difieren en estilo: hay música ambiente, lofi trip hop o música mínima, Stoner Rock, Drone Doom. De lanzamiento en lanzamiento, diferentes personas fueron contactadas o nos contactaron para grabar o ayudar o contribuir con sus habilidades para mejorar el sonido de cada álbum.

Cambiamos eso en 2019 cuando decidimos subir al escenario como un combo de 2 hombres con todas las canciones de Doom. Y ese es también el objetivo para este año. Plaga o no, queremos tocar las canciones en vivo para la gente.

¿Cómo se juntaron por primera vez?
Nos conocemos desde hace unos 10 años y teníamos diferentes bandas en ese momento, pero finalmente decidimos reunirnos para tener más experiencia en vivo como amigos que pueden confiar el uno en el otro.


¿Cuáles fueron las bandas que influyeron en tu sonido e incluso en tu imagen?
¿Cuál es nuestra imagen? Creo firmemente que es importante hacer lo que sentimos. Así que hay muchas miradas, estilos y pensamientos diferentes que seguimos fluyendo hacia la "imagen". Esas cosas ayudarán a evolucionar, remodelar y renovar el proyecto casi todos los años.

Lo sé, la gente a menudo quiere “su” banda, un grupo de personas que encuentran su sonido o estilo y lo siguen tocando hasta que mueren, incluso si ellos mismos ya no se identifican con lo que comenzaron.

No podemos hacer eso. Simplemente no es nuestro camino.

La forma en que lo veo es que el artista tiene que elegir porque el fanático ni siquiera sabe lo que quiere. No es arrogante ni nada malo. Es un hecho que obtienes la multitud que mereces y cuando eres una banda de Metal que escribe sobre cerveza y asesinatos, terminarás siendo electrocutado en el escenario por una cerveza derramada en tu cable de extensión. Creemos que tenemos una responsabilidad, no por la bebida que la gente prefiere, sino por la forma en que ven la música. Y para nosotros no es solo una cosa que consumes, como fideos y papel higiénico en este momento, sino un compañero esencial para la vida de todos. Las personas pueden identificarse con nuestra música y ya luego, si son de mente abierta e interesados en los procesos creativos que crean un álbum, saben que no será un lanzamiento en donde solamente copiamos el último trabajo.

Queremos sentirnos únicos con cada canción y trascender a través de nuestra música sin tener en cuenta el sentido común de "cómo hacer música".

¿Cómo crees que ha evolucionado su sonido a lo largo de los años?
Espero que uno escuche bien lo que se ha hecho. Dado que principalmente estamos produciendo nosotros mismos, tratamos de mejorar el sonido cada vez que lanzamos algo. Pero tiene que encajar con el esquema de cada canción. No queremos lanzar una canción de stoner rock que suene como una mezcla techno minimalista.

¿Han sentido que ahora tienen un estilo definido? ¿Que ahora tienen identidad como banda?
Solo puedo ver lo que hay dentro del proyecto. Es lo mejor, realmente, crear y compartir el amor por la música con personas interesantes e interesadas.
No sé cómo se ve desde el exterior, pero espero que podamos hacer que la gente vea y sienta cómo nos sentimos al respecto.


¿Cuál crees que es el álbum que más representa a la banda?
Todas y cada una de las canciones. No vemos malas o buenas canciones, no hay un sistema de puntuación. Por favor, este es un agradecimiento para todos los oyentes, cada álbum, cada canción transporta las emociones del proyecto. Todos encajan, pero uno no siempre está de humor para todo.  No es la música pop la que se ajusta a tu viaje de compras.

Lo que no indica que no puedas comprar nuestras canciones. Definitivamente hazlo.

¿Qué piensas en la industria de la música en estos días?
Es un gran árbol de pájaros cagando. En la rama más baja, las bandas se sientan y comen la mierda de todas las otras aves de arriba. No twitteamos mucho.

¿Cuáles son los desafíos que un músico enfrenta de manera regular que ustedes sienten que no se mencionan lo suficiente?
Llegar a las personas es difícil, no por la calidad. Principalmente por falta de conexiones. Si la gente realmente quiere apoyar a las bandas que aman, deberían ver su bandcamp y comprar mercancía, mercancía y mercancía. Cada centavo cuenta y a la mayoría de las bandas les encanta regalar sus cosas gratis, pero también es que esas bandas invierten tiempo y dinero en su pasatiempo favorito. Solo transmitir sentimientos no salvará a tu banda favorita de morir de hambre.

¿Qué consejo le darías a las nuevas bandas que comienzan?
No importa lo lento que vayas, solo sigue adelante.

¿Cuál fue tu álbum más desafiante para hacer?
Hasta ahora será "The Smell Of Stars and Vomit". Es una canción larga en la duración del álbum y la comencé a fines de 2016. Este es el mamut actual de nuestros álbumes.
Pero el próximo lanzamiento en junio de WICKED ZEN también fue difícil con respecto a la construcción del sonido.


¿Tienes una anécdota interesante de la banda hasta ahora?
Sí, estábamos de gira en Rusia y terminamos vendiendo marihuana a astronautas. Es una larga historia, pero puedes encontrarla en nuestra página de Tumblr.

¿Cuál creen ustedes que es el secreto para entenderse como banda?
Solo ser amigos, no una banda. Hay tentaciones que lo ven como “éxito” de vez en cuando, pero no, es solo la redacción. El amor y la comprensión harán más a la calidad interna que cualquier psicoterapeuta.

¿Qué planes tienes para el futuro cercano?
Se planean 4 nuevos lanzamientos y con suerte muchos conciertos. Si la situación del virus se mantiene, haremos streaming.

Gracias por tomarse el tiempo para hacer esto, muchachos. ¿Algún último mensaje para nuestros lectores? ¿Dónde podemos seguirte en las redes sociales y comprar tu música?
A todos los que creen en nosotros y les encanta escuchar algo nuevo y un proyecto que se arriesga en cada álbum y mantienen la mente abierta en momentos donde la mayoría las cierran: gracias. Nos mantienen con vida.

Para todos los que buscan música nueva y desean conectarse con nosotros, pueden comenzar aquí:


Muchas gracias por su apoyo en el pasado, presente y futuro (si cree en el tiempo).

domingo, 2 de febrero de 2020

Guy Freedom English interview for Sail Away


If you want to read the Spanish version, go here.

Si quieren leer la versión en español, vayan para acá

Guy Freedom English is a very interesting reminder of what old school Rock ‘N’ Roll music is all about. A self-made family man, he is also a self-made musician who has released multiple bands independently and recorded all vocals and instruments by himself. One can’t deny his dedication and his 2019 album, American Made, is a big testament to the determination that is necessary to make music happen.

I had the opportunity of talking to Guy and we discussed multiple aspects about what it takes to make Hard Rock music these days as an independent musician. I hope you enjoy it!

Thank you for doing this, Guy. If people wanted to know what your music project is all about, what would you say to them?
You're very welcome Kevin, and thank you as well! Old school guitar driven rock n' roll. I love the sounds of all those old school rock albums and work to do my best to write new songs with that old feel. I like to crank it up loud and keep it about as pretty as the dog’s balls on a rainy day.

What do you think are the aspects that are not discussed enough about making albums all on your own?
The amount of time that goes into making an album. The recording techniques you use to produce the sound. Taking the time to work through all the sounds, tones and levels for all the instruments, and then play them all to a click track. The first track is the toughest, because I have to pay attention to the arrangement very carefully. I write out my arrangement and follow along with the click track to get the first rhythm guitar laid so I can start working on everything else. The more I add the easier it gets to follow along. With American Made I had 8 parts and only 4 tracks to work with. I really had to do some planning to pull it off, it was a lot of fun though.

Does playing with multiple instruments give you a different perspective on your writing process?
It hasn't for me yet really. I always hear music in my head and then go downstairs and figure out how to play what I keep hearing. For me it's been more of how am I going to record this with a 4 track. Playing multiple instruments has given me a bigger perspective on recording though. Once I know what I want to play I've had to figure out how to pull it off. For American Made I thought a lot of how I was going to record it as I wrote the songs.


Your last album, American Made, was released last year. What can you tell us about the making of that album?
It was a lot of fun and a lot of work. It was the most challenging one to record yet and the one where I fell like things finally came together for me. It was also the first time I went into a project focusing more on how I was going to record it, oppose to what I was going to play. I had a good idea of what I wanted to do going into it but with a 4 track I was very limited with the space I had to work with. I really planned out the bounce mix in order to get all the vocals, lead guitar and drum fills on 2 tracks.

Which bands, musicians and albums influenced you the most?
There are so many that it's difficult to narrow it down. I'm always aspiring to play as good as guys like Malcolm Young, Cliff Burton and Neil Pert. There are some many bands and albums that I enjoy listening to over and over. Off the top of my head here are some albums that come to mind as having a big effect on me when I was a teenager.
AC/DC - Highway to Hell & Back in Black
Iron Maiden - Powerslave
Metallica - Kill em' All
Black Sabbath - Heaven and Hell
Rush - Fly by Night

What can you say about the making of your next work? Do you have anything in store right now?
I have upgraded my recording equipment to an 8 track and am currently recording the next album. I got all the scratch tracks done, just finished the bass and am working on the drums. I'm able to bounce the mix and use 14 tracks oppose the 6 I had to work with before, so it's exciting. I'm using 3 tracks just to record the drums. It's a longer process but it's going to be well worth it. I am finally able to have a little studio polish on my recordings. Once I finish the drums I'll go back and clean up the rhythm guitar. Then it's lead guitar and vocals. I just produced the single Chin Nuts for the rapper Dirty Dante. It was my test run with the 8 track and I'm very pleased with how it turned out.

Considering that you already have a very decent output, do you have any interesting anecdote of your career?
When I was working on Tie Your Mother Down, a cover of the old Queen classic. I changed my guitar sound by sheer accident. I remember playing my guitar and thinking, "wow, my guitar sounds amazing". But I had no idea what I did to make it sound that way. I was checking my amp settings, pedal settings, recording settings and then I checked my guitar knobs. I accidentally bumped my volume knob and it was down to about 8 opposed to full on. It gave my guitar more of that rhythm tone that I've always heard on those classic AC/CD albums. I've used that knob setting for everything since.

Do you have any special training as a singer? Did you take singing lessons?
I've never taking a singing lesson a day in my life. I just try to emulate all those great rock n' roll singers. I only sing now because I don't have a singer and I really wish I only had to do backing vocals and let a singer handle the main vocals. I never feel very comfortable with my voice but I always know what I'm looking to get out of it. Singing over the past few years I've been able to understand how I can create sounds with my voice and feel when my voice is coming from my throat or my diaphragm. I'm old school rock n' roll though, I just want it to sound powerful.

What are you planning with this music project at long term?
To have no regrets when I'm older and looking back on my life. I am having the time of my life playing music again. It's hard now to believe I had a period of seven years where I barely touched my guitar. My wonderful wife is the one who got me playing again and now I can't stop. I'm gonna keep rockin' out in my basement and continually work to improve.


Would you consider staying as a studio band? Or do you want to form a band as a whole and tour?
I would love to take the songs I've been writing and recording live with a band. I'm not really sure how I can make that happen right now though. I work night shift at a factory and do everything out of my basement in a small town in South Dakota. I'll really need to build up quite an audience yet before I can think of touring. Taking care of family is the most important thing to me and I feel blessed to live in an age where I can make music in my basement and release it all over the world.

What have you learned about promotion since you created this project?
Social media is a great outlet to use. You can people to spread the word through in internet. Playlists are another great outlet if you can get on one. People like you who will interview and review albums for someone like me are great also, thank you again! I've improved more on my producing than I have on marketing so I'm still really learning this part of the game.

What are the lessons that you have learned about the music business since you got started?
I haven't made it too far in the business yet so I still feel I have a lot to learn. Definitely do your homework. I like to watch documentaries, read articles and listen to stories from musicians of all genres. I would also tell someone follow their passion. You should be practicing, writing, recording, performing all the time. If you love doing something then it's easy to put the time in because you enjoy doing it. It's kinda funny because there are things I've done the past few years that I kinda stumbled into. I didn't know anything about licensing, publishing, streaming, copyrighting and digital promotion a few years. But I keep writing and recording songs and along the way I keep learning more about the business. I've managed to do my copywriting, publishing and setup distribution, as well release a single with Sonorous Records out of Toronto, CA right from my basement in South Dakota.

Heck, when I submitted the single to Sonorous I thought for sure they were gonna shoot me down because I recorded it on a 4 track, but they didn't. I couldn't believe it, and next thing I knew I released a single through a label.

What would you advise to the people that want to start their own bands?
If you’re gonna play in a band don't compromise. Make sure everyone wants to go in the same direction. I feel the biggest mistake I ever made playing in bands was that we always compromised to make everyone happy. And I do feel that's the biggest reason why it never went anywhere. What makes a great team isn't having the best players. It's having the right players that can come together and work as a cohesive unit. Everyone has to know their role and play it to best of their ability. No egos, just passion and determination.

Thank you for taking the time to do this, Guy. Any last words for our readers? Where can we follow you on social media and where can we buy your albums?
I'm not a big social media guy but you can find me on Instagram:

You can also find my music on Spotify, Amazon, Apple Music, YouTube, Deezer. My music has been very raw and I always appreciate it someone gives me half and a chance and listens to a song, thank you again and take care!